It’s the ultimate anthem of defiance. In 1792 Claude-Joseph Rouget de Lisle, a captain in the French army, composed the song after Austrian and Prussian troops invaded France in an attempt to quell the revolution.
The mayor of Strasbourg asked Rouget de Lisle to write a song that would rally troops to “defend their homeland that is under threat”. Originally titled Chant de guerre pour l’Armee du Rhin – War Song for the Army of the Rhine – it was dedicated to Marshal Nicolas Luckner, the army’s Bavarian commander.
While its lyrics declare that the children of the Fatherland’s day of glory has arrived, they also issue a blood-curdling warning – “ferocious soldiers” are coming under the “bloody banner” of tyranny to “cut the throats of your sons, your women”. Citizens – not subjects – are urged to take up arms and “Marchons! Marchons!” – let’s march, let’s march.
It was sung by troops from Marseilles as they approached Paris, leading to its nickname. It was made France’s anthem in 1795 but lost its status under Napoleon I and was suppressed during the Bourbon restoration.
La Marseillaise became the national anthem again during France’s third republic – the era from 1870 when the modern idea of what France means was laid down, according to David Walker, professor emeritus of French at the University of Sheffield.
Most people don’t pay all that much attention to the “fairly bloodthirsty” lyrics, he says. More important, he believes, is that unlike God Save the Queen, La Marseillaise is “not an aristocratic song. It’s about the people, it’s about being a citizen”. What’s more, “it’s a rousing anthem and people can sing it with gusto”.
Not everyone likes its martial theme. Valery Giscard d’Estaing, president of France from 1974 to 1981, slowed the rhythm because he considered it too warlike. The line “may impure blood water our fields” has been cited by critics who consider the anthem racist.
But its message of defiance and resistance have proved incredibly potent at key moments in France’s history – invasion during World War One, and occupation during World War Two.
France cyclists hummed it as they rode the Tour de France through German-ruled Alsace between 1906 and 1910. In one of Casablanca’s most memorable scenes, resistance leader Victor Laszlo orders a band to play it in order to drown out singing by Nazi troops.